亚洲展讯｜心象.诗境——杨识宏个展（上海）
展名 / Title: 心象.诗境——杨识宏个展
Timeless Vision - Yang Chihung Solo Exhibition
展览时间 / Duration: 2020.9.5 (Sat) - 10.31 (Sat)
开幕式 / Opening: 2020.9.5 (Sat) 4:00pm
展览地点 / Venue: 亚洲艺术中心（上海）
Asia Art Center (Shanghai)
上海市普陀区莫干山路50号7号楼106室
Room 106, Bldg.7, 50 Moganshan Road, Shanghai
亚洲艺术中心荣幸地宣布将于2020年9月5日于上海空间举办“心象.诗境——杨识宏个展”，展览将持续至2020年10月31日。此次展览是继2015年东京上野之森美术馆“永恒的当下——杨识宏近作展”及2019年广东美术馆“磅礴——杨识宏作品展”的再一次集中展出。出生于1947年的艺术家杨识宏，于1968年毕业于台湾艺专（现为台湾艺术大学）美术科西画组，70年代末移居美国纽约。杨识宏自1980年代起活跃于纽约艺坛，至今创作不懈，成为继赵无极、朱德群之后最重要的海外华人抽象艺术家之一。1989年获得美国纽约州州长颁发杰出亚裔艺术家奖，更是首位获得美国“国家工作室”奖助计划的华人艺术家。1981年开始撰写艺术报道和评论文章，阐述西方艺术的发展情况，并发表于纽约《中报》、台湾《艺术家》杂志以及在两岸极具影响力的艺术杂志《雄狮美术》，对于当时国内艺术信息相对缺乏的环境下，可以说带来了许多深度的介绍及启发。给当时的中国艺术界打开了一扇了解西方最新艺术信息大门，为许多艺术家提供了当代艺术启蒙，也是首位进入纽约MoMA P.S.1展出的华人艺术家。
在这个以秒刷屏的时代，一幅杰出的绘画作品会获取观众多大程度的精神力投注，而这种关注性又伴随着高度的兴奋感与稳健的充实感，有如身处被誉为世界最伟大鼓手之一的爵士音乐家巴蒂·瑞奇（Buddy Rich) 的即兴独奏 (solo) 中——这便是杨识宏的绘画作品集结着技术、速度与力量敲奏在视觉上的体验。杨识宏的画面里不出现所谓的“规律”和“次序”，其即兴般的绘画轨迹无所顾忌地进行着直接的运行。在此行迹中某一笔触的短暂逗留看似阻断了视觉在画布这一绘画场域里的延续，却是艺术家被新的思绪与情感所激发而在下一段行笔中释放出连绵的浮想与感触，意识的自然流动与绘画动势合并而产生创作状态的增进与累积。此状态表现于画面上使观者对于时间流逝的主观感受发生改变而被带入另一维度的“心理时间”。
▲ 惊艳
Astonished Splendor
布面丙烯 Acrylic on Canvas
133x197cm 2016
▲ 秀外慧中
Elegant Inside-out
布面丙烯 Acrylic on Canvas
197x399cm（三联） 2016
。
Asia Art Center is pleased to announce the opening of Yang Chihung’s solo exhibition “Timeless Vision” on September 5th in Shanghai space. The exhibition will be on view until October 31st, 2020. After the past exhibition entitled “Eternal Present-Recent Paintings by Yang Chihung” held in Ueno Royal Museum, Tokyo in 2015 and “Majestic Momentum – Yang Chihung” held in Guangdong Museum of Art, Guangzhou in 2019. Artist Yang Chihung (b.1947) graduated from the Department of Fine Arts at the National Taiwan College of Arts (currently known as National Taiwan University of Arts), and immigrated to New York in the late 70’s. Yang Chihung has been active in the New York art scene since the 1980’s, and continues to create work to this day, becoming one of the most significant abstract expressionist painters since Zao Wou-Ki and Chu Teh-Chun. He was awarded the “Asian-American Artist” award from the Governor of New York in 1989, and was the first artist of Chinese descent to be awarded the Clocktower residency. He began writing reports and critiques on art, chronicling the developments of Western art; his writings were published in “Chung Po” in New York, “Artist Magazine” in Taiwan, and in the art magazine “Lion Art” which grew prominent on both sides of the strait, providing in-depth introduction and inspirations to a nation that was lacking in its sources of art information. For the Chinese art world then, it truly opened a door to the latest Western art news and information, imparting contemporary art knowledge to many artists.
Every image is refreshed in seconds in this era of reading pictures, how a piece of outstanding painting artwork can capture the audience's mental strength of attention with excitement and fulfillment? As if being in a live show played by jazz musician Buddy Rich who is considered as one of the most influential drummers of all time. Well, this is exactly the visual experience concentrating in skill, speed and power from the paintings of Yang Chihung. The so-called “rules” and “sequence” do not appear in Yang Chihung's paintings, his extemporaneous painting journeys on the canvas freely and directly. The short stay of a few brushstrokes in this journey seems to interrupt the continuation of viewing on the canvas in the field of painting art, but it is the artist being inspired by new thoughts and emotions to release continuous imagination and feelings and consciousness in the next paragraph of the brushstroke. The natural flow of mind and the moving energy of painting merge to produce the enhancement and accumulation of the creative state. This state is manifested in the “psychological time” in which the audience's subjective perception of the passage of time is changed to be brought into another dimension of creation.
▲ 第四乐章
The Fourth Movement
布面丙烯 Acrylic on Canvas
112x145.2cm 2015
▲ 冈仁波齐
The Holy Mountain
布面丙烯 Acrylic on Canvas
170x221cm 2014
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杨识宏，1947年出生于台湾中坜，1968年台湾艺专（现为台湾艺术大学）美术科西画组毕业，70年代末移居美国纽约。1989年获得美国纽约州州长颁发杰出亚裔艺术家奖，是首位获得美国PS1“国家工作室”计划进驻奖助及其联展的华人艺术家。现生活及工作于台北与纽约。
重要个展：“心象.诗境 - 杨识宏个展”（亚洲艺术中心，上海，中国，2020) 、“磅礴 - 杨识宏作品展”（广东美术馆，广州，中国，2019）、“计白守黑 - 杨识宏意识流系列近作展”（亚洲艺术中心，北京，中国，2017）、“永恒的当下 - 杨识宏近作展”（上野之森美术馆，东京，日本，2015）、“复调的诗学 - 杨识宏个展”（亚洲艺术中心，台北，中国，2014）、“心境 - 杨识宏个展”（亚洲艺术中心，台北，中国，2012）、“岁月‧流光 - 杨识宏创作历程40年”（台湾美术馆，台中，中国，2010）、“象由心生 - 杨识宏作品展”（历史博物馆，台北，中国，2004）
重要群展：“1960 - 台湾现代艺术的滥觞”（亚洲艺术中心，台北，中国，2016）、“文化．精神．生成”（威尼斯艺术双年展，威尼斯，意大利，2013）、“非形之形 - 台湾抽象艺术”（台北市立美术馆，台北，中国，2012）、“新东方精神II - 承启”（亚洲艺术中心，北京，中国，2010）、“开新 - 80年代台湾美术发展”（台北市立美术馆，台北，中国，2004）、“台北‧纽约 : 现代艺术的遇合”（台北市立美术馆，台北，中国，1991）、“当代艺术中的古典神话与意象”（皇后美术馆，纽约，美国，1988）、“台湾当代九人展”（香港艺术中心，香港，中国，1978）、“中华现代绘画十人展”（东京都美术馆，东京，日本，1977）
公共收藏：阿尔德里奇当代艺术博物馆（美国）亨廷顿美术馆（美国）、阿肯色艺术中心（美国）、纽约市立大学（美国）、新加坡国家美术馆（新加坡）、广东美术馆（广州）、台北市立美术馆（台北）、台湾美术馆（台中）、高雄市立美术馆（高雄）、高雄山美术馆（高雄）、美国马斯洛私人收藏（美国）
Yang Chihung was born in 1947 in Chungli, Taiwan. After graduating from the National Academy of Art, he emigrated to the United States of America in 1979. In 1989, Yang was awarded the “Outstanding Asian-American Artist” by the governor of New York state. He is the first artist of Chinese descent to be awarded a fellowship at the P.S.1 National Studio Program.
Significant Solo Exhibitions: “Timeless Vision- Yang Chihung Solo Exhibition” (Asia Art Center, Shanghai, China, 2020)；“Majestic Momentum – Yang Chihung” (Guangdong Museum of Art, Guangzhou, China, 2019)；“The Sensibilities of Black and White-Yang Chihung's Recent Works from the Stream of Consciousness Series” (Asia Art Center, Beijing, China, 2017)；“Eternal Present-Recent Paintings by Yang Chihung” (Ueno Royal Museum, Tokyo, Japan, 2015)；“The Poetics of Polyphony: Yang Chihung Solo Exhibition”(Asia Art Center, Taipei, China, 2014)；“Mindscape: Chihung Yang Solo Exhibition” (Asia Art Center, Taipei, China, 2012)；“Chihung Yang 40 Years of Painting” (Taiwan Museum of Fine Arts, Taichung, China, 2010)；“The Images of the Mind” (Museum of History, Taipei, China, 2004)
Significant Group Exhibitions: “1960 –The Origin of Taiwan’s Modern Art” (Asia Art Center, Taipei, China, 2016)；“Culture．Mind．Becoming” (Venice Biennale, Venice, Italy, 2013)；“Formless Form: Taiwanese Abstract Art” (Taipei Fine Arts Museum, Taipei, 2012)；“Spirit of the East II - Bridging” (Asia Art Center, Beijing, China, 2010)；“The Transitional Eighties Taiwan’s Art Breaks New Ground” (Taipei Fine Arts Museum, Taipei, China, 2004)；“Taipei-New York: Confrontation of Modernism” (Taipei Fine Arts Museum, Taipei, China, 1991)；“Classical Myth and Imagery in Contemporary Art” (The Queens Museum, Flushing, New York, U.S, 1988)；“Contemporary Chinese Art from Taiwan” (Hong Kong Arts Centre, Hong Kong, China, 1978)；“10 Chinese Leading Artists” (Metropolitan Museum of Art, Tokyo, Japan, 1977)；
Public Collections: Aldrich Museum of Contemporary Art (U.S.A)；Archer M Huntington Art Gallery (U.S.A)；Arkansas Arts Center (U.S.A)；City University of New York (U.S.A)；National Museum Art Gallery (Singapore)；Guangdong Museum of Art (Guangzhou); Taipei Fine Arts Museum (Taipei)；Taiwan Museum of Fine Arts (Taichung)；Kaohsiung Museum of Fine Arts (Kaohsiung)；Mountain Art Museum (Kaohsiung)；The Maslow Collection (U.S.A)
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